A branding expert’s look at Harris/Walz’s campaign typography

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4 min readAug 15, 2024

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Harris Sockel

When Kamala Harris ran for president in 2020, she mentioned in an interview that one of her inspirations was Shirley Chisholm — the first Black woman elected to U.S. Congress and the first woman to run for the democratic presidential nomination.

That’s not exactly how Chisholm wanted to be remembered. Here’s one of my favorite quotes, from an interview Chisholm gave decades after losing the nomination to George McGovern: “I want history to remember me… not as the first Black woman to have made a bid for the presidency… but as a Black woman who lived in the 20th century and dared to be herself.”

Harris was so inspired by Chisholm that she designed her campaign as a visual homage. Advertising exec Marcus Wesson recently turned to Medium to unpack the design parallels. Here’s a side-by-side comparison:

D.C.-based creative agency Wide Eye used Chisholm’s color, type, and layout choices as inspo for Harris’ 2020 brand:

The same design firm branded the Biden-Harris White House, Biden’s campaign, and the Harris/Walz campaign logo (which underwent a few subtle design tweaks last weekend).

You can tell a lot about a design by what it doesn’t contain. There are no metaphors in the Harris/Walz logo — no arrows, flags, fire symbols, eagles, stars, or exclamation points (RIP Jeb!). Instead, there’s just Bureau Grot Condensed Bold type (or a similar custom typeface) on a solid background. It’s a decidedly straightforward, no-nonsense design. The Trump campaign’s logo is pretty straightforward, too, but it has a star border.

“Grot” is short for “grotesque,” a genre of typefaces first used in 19th century British advertising because they were blunt, unadorned, unpretentious sans serifs (and a little awkward-looking at the time, when most typefaces were elegant serifs, hence “grotesque”). The vibe sort of seems aligned with the Dems’ campaign messaging this go-round: We are plainspoken and normal.

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